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Beginner's Guide to Digital Painting in Photoshop: Characters, by 3dtotal Publishing
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Product details
Series: Beginner's Guide
Paperback: 224 pages
Publisher: 3DTotal Publishing (March 17, 2015)
Language: English
ISBN-10: 190941414X
ISBN-13: 978-1909414143
Product Dimensions:
8.5 x 16 x 11 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
81 customer reviews
Amazon Best Sellers Rank:
#52,302 in Books (See Top 100 in Books)
Not at all for a beginner! You need to be an advanced student to understand and get anything out of this book. I've used Photoshop for many years - but not for digital painting - I found this book very confusing.
So much information it's overwhelming. I'm like 1/4th the way through it and I have to re read a lot of it to get it to sink in, don't know if I'm daft or if it's just this confusing, probably both. I do understand a lot more about digital painting now and I hope to learn more. I've attached a work in progress so don't judge me to hard but I used what I could understand
I ordered this book as a "throw in" just because I felt I might need it later, but it turned out to be the best book of my bundle!It is extremely detailed in ways to utilize Photoshop if you're interested in character design. It explains step-by-step how to achieve various textures and forms.If you're interested in digital art and character design, this book is a must!
I hesitantly got this book because I love one of the artist's work that is featured in this book and it did not disappoint. The book brought in a lot of different artists with different styles and it helped me to learn various ways to represent a character. The book didn't just get into how to develop a character artistically, but also how they use programs to get their work done.
Note: I've worked as a professional portrait painter in traditional mediums and now work full time as a digital painting instructor.If you're a beginner to drawing and painting the human form, this book is NOT FOR YOU. If you have experience with gesture, life drawing, anatomy, light, color, etc. then this book is a good introduction to digital techniques (if you skip past the horrible drawing lesson sections.)I'll try to sum things up to make this as useful as possible to possible buyers, but it's difficult to do as many chapters and drawings in this book made me pull my hair out, bury myself alive, and burn the entire concept of art itself to a pile of ashes.CONS:The chapters on color scheme, drawing form, anatomy, gesture drawing, character types, composition, body types, posing, etc. are worse than neutral, they are actively inaccurate, badly drawn, hindering to the development of drawing/painting skills and WRONG. I know I'm coming off heated here, but I can't emphasize this enough: if you are looking for instruction on improving your drawing and painting skills, DO NOT take the advice of this book.Color schemes: The examples given are all either horribly desaturated, badly balanced, ignorant of how to create good skin tones, or completely misguided on creating mood and atmosphere. It's all worse than worthless, it's wrong.Form, anatomy, gesture, facial/body construction, posing, etc.: PLEASE FOR THE LOVE OF GOD IGNORE ANYTHING THIS BOOK TELLS YOU!! It relies on comic book stereotypes for anatomy and posing, resulting in awkward, stilted, cliché, horrible drawings if what you're looking for is basic gesture instruction. The bone structure and musculature is all off, they tried to use traditional Bridgman style proportions but clearly don't use that style regularly because their sketches and gestures look awkward, off-balance, flat and dead. Their notes on distinguishing male and female anatomy is so highly stylized it's useless unless you want to draw the same cartoon man and woman over and over and over. Their stylizations to turn their comic style faces into even more stylized comic style faces is heavy handed and the resulting faces are neutral to strange and off-putting. Then, on the same page they'll toss in a picture of a highly rendered woman's face with the most bland, typical, unremarkable features (you know the type.. Tiny nose, huge eyes, same pursed super model lips, chin whatever as every woman on any wizards of the coast card ever made). And why even throw that in? To try to convince readers that yes, the illustrator CAN paint, despite everything else on the page? It seems very obvious the painter learned to render one imaginary woman's face very very carefully and never learned how to do anything else. And they instruct you to draw your quick posing gestures with wobbly lines, completely flat, no hint of mass or believable movement.. They look like the drawings of a high school freshman, AT BEST. If you're looking to learn, don't waste your time listening to artists who are no better at this than you are! Good NIGHT.This is the step by step of how to draw hands: Outline a hand, with all anatomy already placed and detailed. (okay????? Impossible?? WRONG??) Add a flat color skintone (like cartoons do!) Add lighting.^Those instructions are not only TOTALLY UNHELPFUL, they're also WRONG. No portrait teacher or art teacher or artist will EVER suggest this!!! It's nuts!! How is this... Fwoo.Character types: You already know everything they know, I promise. If you really want to read four paragraphs about how erotic and strong pin-up "character types" are, or need to be told that to draw a villain you ought to draw whatever you want, no rules, no suggestions except to add angry eyebrows.. Well then.. You do you. Again, highly stylized sketches clearly drawn for the book are awkward, rushed, and not pleasing to look at. Finished art the illustrator probably did 3 years ago for something totally unrelated is highly rendered, boring, and unremarkable. It is the same woman or man in various awkward poses wearing costumes you've seen a million times before and probably better designed.Composition: Have you ever heard of the golden ratio? Well this writer has, and between it and the rule of thirds, you could learn this chapter better with two Google searches. Also, don't base all of your compositions on these two things. It is not a good idea.Storytelling and moods: If the writer had any basic knowledge of color and human emotion, this chapter would be worth reviewing.Honestly, here are a list of other chapters that will not only not teach you anything helpful, but will also attempt to torpedo the instruction of artists who care about you: body type and skin, designing and painting the face (only partially bad), painting hair (gets SO CLOSE to being useful but misses critical first steps), pose and background (the return of the horrible gestures), honestly.. The drawing and art basics chapters.PROS: Didn't think I was going to get here, did you? Well thank you for your attention and here's some positivity. This book does a fair job of introducing technical basics (photoshop tools). Although everything feels a bit rushed, the program use directions are helpful. The chapters showing workflow are cool if you have some experience, it's interesting to see how different artists build up their paintings. They would be helpful to follow step by step if you're just beginning and want to copy someone else's work to build up some foundational habits. Some of them skip over large chunks of work that are basically just "use your art skills to color", so you get that line drawing to fully colored thing that was very frustrating when I was young and impatient.The quick tips are hit and miss. Believe them on their hair painting techniques, run away when they try to tell you what a Male Ear looks like in contrast to a Female Ear or how using only brown and beige is a good idea when trying to paint Youthful Skin. My favorite was the Thin Lips tip that apparently used Gigi Hadid as a reference. That's as thin as they get, folks! Followed immediately by "Voluptuous Pout" and then "Male Nose"? Boy do I love how every man I know has that typical Male Nose.Texture techniques such as lace, leather, silk, glasses etc could be useful though! So I'm not just hating irrationally here.My takeaway is this. If you're very VERY comfortable drawing and painting portraits, human anatomy, etc. and would like to transition these skills into digital work, this book will give you a lot of good tips and tricks to get you started. Making brushes, how to avoid the slick digital fake look, quick techniques to create texture, etc. are all solid. If you are trying to learn how to draw and paint, this is quicksand. You'll spend years undoing the bad habits this book teaches, IF you're tenacious.If you want to get into sweatshop digital painting and crank out the same fantasy characters over and over for Fiverr, this is exactly the book you want.
Beginner's Guide to Digital Painting in Photoshop is a helpful guide for digital painters tackling character art. It's a 224-page paperback artbook published by 3Dtotal so the presentation style is quite similar to their other books which are filled with screenshots and instructions.The first few chapters by Benita Winckler covers the basics of character design, more on the design aspect than on digital painting, things like what makes a character appealing or an idea work. It deals with colours, anatomy and postures, compositions and other portrait drawing related topics.The next few chapters on Bram "Boco" Sels goes into the digital painting of a character and builds on the art fundamentals covers in the first few chapters. Bram's use of colours and understanding of tone looks amazing.The other chapters feature several artists which each going through their digital painting process of a character from start to finish. So you get to see more variety of characters which includes sci-fi, fantasy and the traditional portraits.Then it's followed by a Quick Tips section with many little mini tutorials that focus on certain features of the characters, e.g. different types of hair, skin, eyes, nose, mouth, clothing material. The last two chapters are the artists gallery and a glossary of terms for beginners.It's a helpful and insightful book for digital painting beginners. If you need something more basic on digital painting, check out Beginner's Guide to Digital Painting in Photoshop.The full list of instructor artists included areAdmed AldooriCharlie BowaterCarlos CabreraRomana KendelicDevon Cady-LeeTim LochnerMarkus LovadinaGerhard MozziAlex NegreaYongSub NohPyeongjun ParkAndrei PervukhinBram "Boco" SelsDerek StenningChase ToolsBenita Winckler(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)
Love this book, it offers a lot of tips for starting a drawing,coloring, and how to use Photoshop. Even though I don't own Photoshop a lot of these tips are transferable to similar programs like manga studio. Really worth it
As a fine art painter crossing the digital valley this book is a huge help for character design from start to finish using photo shop. Beautiful examples and it even provide's keyboard shortcuts as well to help you learn. Worth every penny in my opinion.
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